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The term, poètes maudits (accursed poet) was popularied by Paul Verlaine’s Les Poètes Maudits (1884,1888), a collection of studies of neglected French poets (including Rimbaud) (Burch 752-53). Rimbaud – romantic, Symbolist, decadent and libertine – reputedly referred to by Victor Hugo an “infant Shakespeare”, has become the enduring figure of the poètes maudits. And this idea of accursed/ rebel poets and the youthful genius of Rimbaud have created an idealism that emanated throughout the decades, and was taken up in varying ways by many generation of 68 poets. What Rimbaud provided, more than any form or style, was rather a model for how to be a poet, a rebel, a fringe dweller, an idealism regarding poetry and the idea of poetry as a serious, even revolutionary commitment. Daphane Merkin has characterised Rimbaud as the “patron saint of adolescent attitude”, “a debauched and restless prodigy” and one could add figure head of the spirit of bohemianism to the account.The bohemian myth existed even in Rimbaud’s time in Paris, “the idea of the artist as a different sort of person from his fellow human beings” a myth “founded on the idea of the Artist as Genius… the artist against society”. Bohemians are the embodiment of “dissidence, opposition,[and] criticism of the status quo” (Wilson 3). Henry Murger introduced bohemians to Parisian consciousness in 1850s with his short stories based around the lives of artists, where the essential basis of bohemianism was represented as a life lived for art.
"I dod not like the writing. Almost entirely about homosexuality."
"I can relate to regretting a hasty travel decision and wishing it wouldn't pan out somehow. But the pedophilia just creeps me out."
"What an insane book. I don't know how you give a lot of stars to a book about a dying pedophile but most of what I remember about the book is the graphic descriptions of how everyones genitals smelled, which I guess is worth something."